Blog

John Mayer calls the Red Sox-A’s game in Tokyo. Cracks me up.

“And that happened…”

Detriot Octaine’s “Barack Obama-sistible!”
I’ve been following this whole Bear Stearns mess of the last 5 days and I can’t believe how ridiculous it is. Have a look at the above graphic which charts Bear Stearns’s stock prices over the last ten years. Look at that red drop! Unbelievable.
Bears Stearns Company News - New York Times

I’ve been following this whole Bear Stearns mess of the last 5 days and I can’t believe how ridiculous it is. Have a look at the above graphic which charts Bear Stearns’s stock prices over the last ten years. Look at that red drop! Unbelievable.

Bears Stearns Company News - New York Times

Graffiti by Banksy

Graphic Design created out of necessity has always fascinated me. There’s no creative brief. There aren’t any internal reviews of the work. Font choice isn’t labored over. It is just created and sent out immediately since time is of the essence.
Take this poster that was created after the murder of Los Angeles High School football star Jamiel A. Shaw II. The poster itself looks like any other poster that hangs from sign posts and traffic lights in urban areas. However, there are a few design choices that make this poster stand out for me. At the top, in bold and all caps, it states, “DO YOU KNOW WHO KILLED ME?” Even though it is in bold and entirely capitalized, it still seems understated to me. I almost feel that a professional graphic designer who was tasked to create this would have made some of the words larger. Maybe the designer would have splashed some different font colors in there to distinguish what was the most important word in the sentence. But here, it seems to grab my attention more than if it was trying to draw my eye.
The next thing is the image choice. Jamiel is too far away in this picture to be accurately identified. Though, the fact that he is the star running back on the local high school football team (who was actively being recruited from schools like Stanford & Arizona State) really helps paint the picture of who this young man was. If I were a neighborhood resident and noticed a picture of the local star athlete in the uniform most people associate him with, then it would be a little more jarring for me.
Below that it says “$55,000.00” in large (larger than anything else on the page) bold numbers. What’s more is that the creator added the “.00” at the end which makes it seem like even more money that is being rewarded. In a poor neighborhood, I’m sure this stood out the most and would help bring people with information forward.
At the bottom it gives you the identity of the murdered individual and contact details if you have any information. Everything is in caps, but it still gratuitous to me. In a way, it is one of the only reasons for something to be comprised entirely in capitalized letters. 
What I believe this poster illustrates is that in this stylized world of design, it still really comes down to the message.  What good is a poster if it doesn’t convey the message properly? If this poster had been plastered with several images of Jamiel or utilized different sized fonts to attract attention, then I don’t think it would have worked nearly as well. This stark poster with the perfect image really makes me take note in a world cluttered with other posters meant to ‘stand out’.
An arrest was made in the case on Tuesday, March 11th.

Graphic Design created out of necessity has always fascinated me. There’s no creative brief. There aren’t any internal reviews of the work. Font choice isn’t labored over. It is just created and sent out immediately since time is of the essence.

Take this poster that was created after the murder of Los Angeles High School football star Jamiel A. Shaw II. The poster itself looks like any other poster that hangs from sign posts and traffic lights in urban areas. However, there are a few design choices that make this poster stand out for me. At the top, in bold and all caps, it states, “DO YOU KNOW WHO KILLED ME?” Even though it is in bold and entirely capitalized, it still seems understated to me. I almost feel that a professional graphic designer who was tasked to create this would have made some of the words larger. Maybe the designer would have splashed some different font colors in there to distinguish what was the most important word in the sentence. But here, it seems to grab my attention more than if it was trying to draw my eye.

The next thing is the image choice. Jamiel is too far away in this picture to be accurately identified. Though, the fact that he is the star running back on the local high school football team (who was actively being recruited from schools like Stanford & Arizona State) really helps paint the picture of who this young man was. If I were a neighborhood resident and noticed a picture of the local star athlete in the uniform most people associate him with, then it would be a little more jarring for me.

Below that it says “$55,000.00” in large (larger than anything else on the page) bold numbers. What’s more is that the creator added the “.00” at the end which makes it seem like even more money that is being rewarded. In a poor neighborhood, I’m sure this stood out the most and would help bring people with information forward.

At the bottom it gives you the identity of the murdered individual and contact details if you have any information. Everything is in caps, but it still gratuitous to me. In a way, it is one of the only reasons for something to be comprised entirely in capitalized letters.

What I believe this poster illustrates is that in this stylized world of design, it still really comes down to the message. What good is a poster if it doesn’t convey the message properly? If this poster had been plastered with several images of Jamiel or utilized different sized fonts to attract attention, then I don’t think it would have worked nearly as well. This stark poster with the perfect image really makes me take note in a world cluttered with other posters meant to ‘stand out’.

An arrest was made in the case on Tuesday, March 11th.

My Quick Take On Eliot Spitzer



Say what you will about the former Governor’s indiscretions, but this little tidbit from an article in the New York Times today pretty much sums up what kind of guy he must be…

So close was Mr. Spitzer with Mr. Fox that he had used his name as his alias when checking into the Mayflower Hotel in February for his liaison with the prostitute.

Mr. Fox said that this use of his name came as a complete surprise.
Talk about throwing your friend under the bus! Wow.

4 Arrests, Then 6 Days to a Resignation
To say the making of this album has been an unbearably long and incomprehensible journey would be an understatement. Axl Rose, in December of 2006, about the then 12 year recording process of “Chinese Democracy”. The album still has yet to be released.

Tylenol® Feel Better Campaign Website

Since this blog is part of my portfolio, I figured I’d actually post some work that I’ve created in the last year. Without further ado, I present the Tylenol website “re-skin” which I designed. Below are a few examples, the rest of the site can be found at Tylenol.com. Enjoy.


Homepage


Condition Landing Page


Product Page

For the rest of my work, please go to my portfolio, Adaugeo

Sad to see “The Wire” go, but I’ll always remember Avon, Stringer, Wee-Bey, McNulty, Bunk, Bubbles, Carver, Cutty and Omar.
Sad to see “The Wire” go, but I’ll always remember Avon, Stringer, Wee-Bey, McNulty, Bunk, Bubbles, Carver, Cutty and Omar.